‘tiny,’ the haunting sequel to an iconic documentary about seattle street kids
Listen Listening Tiny would go on to become the unofficial star of “Streetwise”, the heartbreaking, intimate and, at times, exuberant documentary. Erin Blackwell, also known as Tiny, 31 years after “Streetwise. But in other ways her life was very, very different. Tiny was also a drug addict and a prostitute. Bell says he and Mary Ellen Mark chose Seattle because it was supposedly the most livable city in the country. And yet, there was this whole culture of street kids downtown. The film shows things most viewers never get to see otherwise. Through the filming Martin and Mary Ellen bonded strongly with Tiny. Tiny chose to stay on the street.
‘Tiny: The Life of Erin Blackwell’ Review: A Troubled Life Goes On
Suzanne H. In Mary Ellen Mark began photographing a group of fiercely independent homeless and troubled youth who were making their way on the streets of Seattle as pimps, prostitutes, panhandlers, and smalltime drug dealers. Streetwise poignantly introduced several unforgettable children, including Tiny Tiny was her street name; her given name is Erin Blackwell , who dreamed of a horse farm, diamonds and furs, and having ten children.
By Shan Yonamine, Project Assistant, Seattle University Project on Family In the “Tiny” film, she said, “I regret being so young having kids.
Tiny turned out O. That movie chronicled the lives of teenagers on the streets of Seattle. Erin is introduced going through old photographs with Mark who died in , before this film was completed. Erin plays with her children — six out of 10 of whom live with her at the outset — in the marshy Seattle-area banks. Their home appears to be filled with puppies. She met her husband, Will, on a chat line. Knowing her past, he does not judge her. But the Blackwell residence is not as even-keeled as it first appears.
Erin still struggles with addiction. There is friction between one of her sons, Rayshon, and Will, who wants to keep him out of prison. A grown son, Daylon — shown as the parent of an infant — talks about smoking heroin. The splintering of the family left lasting wounds.
`STREETWISE`: THE BIGGEST SHOCK IS THAT ITS STORIES ARE TRUE
Mary Ellen Mark American, – Tiny was thirteen when she and Mary Ellen Mark first met. Impressed by her ease in front of the camera, Mark developed a friendship with her, and continued to photograph her over the years. Here, Tiny wears a Halloween costume that she pieced together to look like a French prostitute.
Courtesy of Seattle International Film Festival Heaven help Erin Blackwell’s kids to come closer to their dreams — or to any healthy adulthood.
The film, made by famed portrait photographer Mary Ellen Mark and her husband, Martin Bell, chronicled the lives of a group of kids living on the edge of Pike Place Market. Seattle continues to struggle with homelessness, addiction and kids who are just as lost as Blackwell used to be. Decades later, she is off drugs and the mother of 10 children.
The older five are by five different men and the younger five by her estranged husband. In , Mark was on assignment for Life magazine when she spotted Blackwell in the parking lot of a Seattle club called The Monastery. When Mark told Blackwell she was photographing street kids, Blackwell wanted in. She allowed Mark full access and posed for portraits, the most famous one capturing Blackwell dressed as a French prostitute for Halloween.
It was the start of a year relationship.
The organization shares the values and commitments of the Capitol Hill Arts District, a coalition of arts advocates galvanized to keep Capitol Hill a thriving art scene, invested in independent artists and emerging ideas. The purpose of the collective was to help fellow artists through the post-production process in Seattle. Their idea took root.
Seattle documentary and lifestyle family photographer takes family pictures at the can easily remember those little bits on your kid that are always changing.
Marina Chao: Can we start with some background about the Streetwise project? Your film came out of a Life magazine feature on children living on the streets in Seattle that Mary Ellen photographed. What about that story compelled you to return to the children and make a film about them? Were you convinced from the outset? How did it all come together?
Martin Bell: Mary Ellen and I had been looking for a project to work on together. Life magazine assigned Mary Ellen to photograph kids living on the streets of Seattle. Seattle was chosen because at that time it was considered to be the most livable city in America. Fate had brought Mary Ellen and Tiny together. That chance meeting changed all of our lives.
Cheryl had recently completed an assignment for Life magazine on Willie and Connie Nelson. Cheryl told Connie about Tiny and asked if they would be interested in helping finance a film project about her and the other street kids in Seattle.
Virtual movies at Northwest Film Forum
Select locations are now offering limited curbside pickup service, and 12 locations are accepting returns during limited hours. Find the latest updates on our Road to Reopening here. Discover the work of acclaimed documentary photographer Mary Ellen Mark in these books by and about her. Beginning with the invention of the camera, she traces the earliest instances of photographic activism through to today’s emerging practices, profiling the most prominent activists of their time and their legendary images.
Also profiled are contemporary photographer activists, including Jonathan Torgovnik.
The new film “Streetwise,“ however, is full of truths about a whole bunch of of Seattle–young pimps, prostitutes and hustlers, kids ranging from 13 to l9. Tiny, 14, a female prostitute, who deludes herself by calling her.
This weekend brings three tales of troubled street kids to the Brattle Theatre screen. In one scene, a young girl in for treatment for an STD is asked about her periods and matter-of-factly responds she got her first one a month ago; she goes on to tell the physician about her johns and what she would do if she got pregnant abortion. Her future seems dim, as does that for many of the kids living in an abandoned factory. Bell was inspired to make the film by his wife, photographer Mary Ellen Mark, who was shooting on the same subject for Life magazine at the time.
For one, Tiny, that confident girl in the clinic, Bell did a year follow-up. Tiny indulged in plenty of drugs over the years and bore plenty of progeny, and the rewind of struggle and heartbreak become testimony to the dark underbelly of the American Dream. Tom Meek is a writer living in Cambridge. Tom is also a member of the Boston Society of Film Critics and rides his bike everywhere.
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Film Review: ‘Tiny: The Life of Erin Blackwell’
M artin Bell’s groundbreaking, Academy Award-nominated documentary Streetwise introduced us to a fiercely independent group of homeless and troubled youth who made their way on the streets of Seattle as pimps, prostitutes, panhandlers, and small-time drug dealers. Of the unforgettable children featured in Streetwise, none was more charismatic than its beguiling, self-possessed thirteen-year-old protagonist “Tiny.
It was documentary photographer Mary Ellen Mark who set Streetwise in motion. Bell and Mark had met on a back lot of London’s Pinewood film studios in
This weekend brings three tales of troubled street kids to the Brattle Theatre screen. grifters, thieves and prostitutes on the street of Seattle in In the film you can hear Mark asking Tiny questions from off camera – a.
Find out more at King County Public Health. This column of our weekly newsletter highlights the amazing artistic efforts of our local filmmaking community and the broad positive economic impact it has on our region. GSS is non-profit company that provides home care, assisted living, rehab and memory care. Their agency, Matale Line, is based in Seattle and specializes in advertising for non-profits.
Production Manager Mark Campbell said Remedy hired over 60 local crew and cast for the project. The Los Angeles office of award-winning production company Anonymous Content brought producer Aris McGarry and director Andrew Douglas to town to film at several downtown Bank of America branches, at Serafina restaurant, and at several other regional locations.
The production worked closely with the City’s DOT, City Light, and Police departments to coordinate several high impact on-location shots. Almost the entire crew and most equipment was secured locally, keeping all the money here. The producer and director were very much impressed with the quality of the Seattle crew and speed with which the City were able to turn the permits around. The company’s roster of directors ranges from award-winning veterans to emerging filmmakers, all sharing extraordinary visual style and the storytelling ability to transform creative potential into compelling viewer experiences across advertising and entertainment.
Homeless in Seattle 32 years later
We parents work hard to teach our kids to do the right thing. Critics and viewers agree that the theatrical release dishonored Dr. You will have to go to the library to find this short documentary about Sylvia Mendez, the young Latina who desegregated schools in California a decade before Brown vs. Board of Education. A huge hit when it came out, this story of a young boy rescuing an orca from captivity is ready for a new generation.
family movie night. We parents work hard to teach our kids to do the right thing. “Doing the right thing” conversations are not always easy to.
So, Mary Ellen Mark, until her death in , consistently went back and photographed her, and they made a number of films. Following the initial encounter, Mark returned in to train her lens once again on the group of children, this time in the form of a documentary of the same name which she produced with her husband Martin Bell. The film was nominated for an Academy Award that year. Here, Pardo talks us through three of these unforgettable images and the remarkable stories they tell.
By taking her off the street and shooting her in her bedroom, she takes her back to a place that is much more protective and protected. Mary Ellen Mark is showing this vulnerability and fragility but also self-awareness relationship. You would never know this was a girl who was working out on the streets, from a very dysfunctional home. Mary Ellen gives her back an innocence. It seems a dangerous place and I think by blurring it out in a way she may have heightened that.
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‘Streetwise’ revisited: Teen prostitute finds motherhood, stability
She’s looking at the iconic photo she took of Blackwell 30 years ago, as a willowy year-old prostitute wearing a little black dress, black gloves, pillbox hat and veil, and a stony expression. Blackwell, aka Tiny, is now dangerously overweight, a mother of ten children, and no less captivating than she was when she became the star of Mark and Martin Bell’s documentary Streetwise : a haunting, intimate portrait of Seattle street kids that started as a photo series for Life magazine.
The Academy Award-nominated documentary followed the lives of eight teenagers — including Tiny, Rat, Shadow, LeMar, Patrice, and Wheelchair Mike — surviving on the streets of a city that had ironically just been named one of the best places to live in America. Comprised entirely of unseen footage of Blackwell and her incredibly charismatic children, the new film is a story that feels more relevant than ever, because the same factors that pushed its protagonist into a spiral of self-destruction continue to exist today.
Ahead of the screening, i-D spoke to Bell about keeping in touch with the Streetwise gang, meeting Tiny’s children, and what he hopes to achieve with his new film. What is your memory of seeing Tiny for the first time?
runaway kids in Seattle. Before to photograph a story on street kids in downtown Seattle. Since the Streetwise film, Mary Ellen and I had worked with Tiny.
The project examines the life of young people in Seattle living on the streets. It is a world sealed in time before Nirvana and Co. Rod Machen : I wanted to chat with you a little bit about Streetwise and Tiny. How did these films come onto your radar? Streetwise is one that a friend of mine showed me all of those years ago, and it stuck with me.
RM : I have. RM : Is Streetwise a re-issue?